As one of the most active “little theatre"(小劇場) groups during 1990s, Taiwan Walker had been engrossing for its vernacular spirit-based theatrical aesthetics since its founding in 1992, and it was 5 years after declaring of martial law. Su ingeniously deconstructed three of the theatre’s plays, namely Mary Scooter(1993), Asshole Man(1996), and Our Top Horny Novels(2000). He extracted the character designs from these plays, emulated the theatre’s theatrical method, and asked amateur actors to improvise on site. This work re-interprets the velocity, prime-time, rebellion, physical pleasure and ethical minefield referred to in these three plays, recalling the artistic utopia ever pictured by the theatre; to wit, a polysemous, hybridised art world whose components range from the sublime to the ridiculous.